Gone Vector!

And now, I have gone vector.

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In my endless experimentation of Art, I am unable to come to a stop.

To become stagnant; embrace only a facet of this ‘Art’?

From Impressionism to Expressionism. Realism to Abstract – all while torn between traditional Art and the Digital side.
so, what have I – what have I come across now?  I have gone VECTOR!

Starting with a Vector portrait of a friend of mine – Fahad.
^ This guy, had been urging me to make a vector portrait for quite some time of him. I had remained uninterested – not fascinated by the Vector side.  i had my reasons, for I do not feel the sense of belonging to a digital work as one would have with a hand painted traditional one.
– A single, original canvas which had been witness to the artist’s brush and fingertips does not exist – just a sequence of binary code – a series of pulses. Nothing more.

But we do have to be practical, experimentation has it’s fun and digital art does sell.  The ‘public’ shows greater interest in their portrait and that- that ‘FanArt’ rather than an original artwork! They need artwork that can be replicated, printed on shirts, cropped to a thumbnail to be set as a ‘profile image’ –

And hence, the Vector Portrait of Fahad Goraya.
Image
https://www.facebook.com/pages/The-Art-of-Ibrar-Yunus/168155153339571]

Mandela

Mandela

© Ibrar Yunus

“Whew” finally done!
Now I can move over to the other portrait I have an idea about. I can’t really for sure say how much time this one took, but seems like a total of about 2 and a half hours – give or take some minutes.
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This is what it looks like after going through all of it many times, correcting the tones here and there- and using the darker charcoals to have a greater variety of tones in it. Giving it an overall realism.
P.S. Made on my new sketchbook~~

🙂

Some promotion for my Facebook Page would be great:
https://www.facebook.com/pages/The-Art-of-Ibrar-Yunus/168155153339571

“Albert”

“Albert”
A portrait of Albert Einstein

It’s amusing how little things inspire us, and some inspire as such to adopt a new style of art; Do something out of the ordinary – consume ‘life’ in an adventure. To explore new possibilities and to adopt and evolve oneself.
These past few weeks, I have indeed watched a decent share of ‘Great’ films that I consider to be masterpieces of the ‘Cinema’.
Now, here I have painted a portrait of Albert Einstein; A great- great mind of the early 20th Century who poured on our minds the knowledge; to be as technologically advanced as we (the World ) is now. I imagined as, what would it be like to study under his teachings. To be there, one of the students.
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// Realism – ( Hyper-realism ? )
//Art Process
Portraiture – this is what urges my finger-tips these days. To grab a brush ( a real brush or a digital one ) and start off- moving closer and closer to achieving ‘the’ Hyper-real. Works so detailed and accurately toned that the result seems near photographic. Though, without the inspiration that those old films provided me with- this would not have been possible. As, the photographs of Einstein are just a few- and for my work I could not use multiple references – as the behaviour of light in nature is complex and imagination fails then- leading the artist in-vain with impractical results. So, a printed image in my hand- I referred to that continually in process of this painting. It is painted just as one would paint a ‘Oil on Canvas’ painting. Only a single layer is used for the subject ( Background layers are separate). Firstly, the rough tonal variations were painted, then the rough micro pores- then the detailed ones; with the lighting continually corrected along the way. The most minute of the details were added without reference, those were by my previous experience with realistic art. Also, hues were altered to end-up with a greyish-brown hue, to promote the feel of ‘importance’. However, nothing was referred for the coat, practising on the canvas, I ended up with a material that mimicked leather- so I went with that.
That is all//

On A Skateboard

On A Skateboard

Yeah, okay –okay. You don’t have to tell me. I know I have just started to skate and am quite n00bish in that, well but I has wanted to sketch something that related to the ‘fun of the outdoors’ ( even in a remote sense). To have recently found the joy in jumping on a bored and ‘pedaling’ by toes against the floor- to make me move a few feet forward (yes, the floor isn’t exactly ‘great’ for a skateboard— needs to be smooth)- Yes, I found inspiration in skateboarding ( and some outdoor enjoyment- especially in this Cruel- Cruel Summer, when no ones hangs out with you). And so yes- I sketched which is practically me on a skateboard- I mean like who else can be this ‘thin’? Strangely, I have yet to fall from the board, and this is giving me a growing sensation that I’m not practicing enough. But did you notice something? It’s just a glimmer, not vivid- an impression in ones life’time’ it is! The scene faded as one’s memory fades with time- and how my memory will probably fade and rust with time. Oh- time is relentless in it’s evil.

Something Up There..

Something Up There..

I uploaded this version first on Facebook, rather than the Traditional one ( as scanned)..
Well here’s the details as I first uploaded it//

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“First sketched with charcoal pencils. It was ‘molded’ in the form you see below by scanning the traditional sketch, and redrawing over it in Photoshop. So, in it’s essence one can call it a TraDigital ( yup it is a category on DeviantART) work, as both forms are utilized.
I wanted to do something different from oil paintings, some form of art, which is somewhat ‘speedy’. A one that will be ‘one of my’ signature styles. And here it officially begins. Though, works like these have been created by me before, but the skills were albeit weak back then.
So what Art category should this belong to? In my own opinion, it can be anime, line-art, abstraction and like-wise. As an experimental piece of work this is.

In the digital enhancement stage, I was choosy between a few styles I had made. Should I go with a darker blue tone one, or a lighter one. Changes in Tone and Color changes the whole expression. Be it mellow, happy, sad..etc. I can get many expressions from this one.

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P.S. Likes would be appreciated! 🙂

Hip Me!

Hip Me!

A new cover image ( for Facebook)-// That’s what I wanted to create today. To show my other side, that is not artistically serious. That is fun, and loves music. //
So here, it is//// And as always, I used only my photo ( that I took today),and no other images or references are used./// Enjoy//

[ I ♥ TRANCE ]

[Click the Image to friend me on FB]

~Dreamy Bed~

            

Hi, all I recently tried something different. to practice the artistic ‘feel’ in parallel lines. Best useable in an ‘unfinished’ painting. So here, the The Transcendental Bed ….

You can also check it out at my Facebook at https://www.facebook.com/ibraryunus?ref=tn_tnmn

©2013 ~ Ibrar Yunus [ZodiarkDarkja on deviantART]
Oil on Primed Paper
Artist- IBRAR YUNUS
December 2012“What to write here? well, I have this beautiful painting out of the scanner now, and in my hands. And now I’m thinking ‘ where to start’. It is sometimes unusual that how we we unable to describe our own paintings. Well, here’s a start:
The normal viewer sees a bed; a somewhat stylized bed. I have had been practicing with cross-hatching and the artistic power of parallel lines, but had only limited them to the crisp white paper of my sketchbook.
Now, I practiced these with oil paints too, and these give a rather unique feel to the viewer. Separate from what is displayed on my sketchbook. An easier interpretation would be ‘more dreamy’ perhaps. So, YES! this is ‘the’ emotive bed. How I see the morning, the pale yellow- young amber rays. Cracking me out from the shell of my dream- Pulling em back from the Astral into this ‘Reality’. The yellowish tints in this give me the feeling of dizziness- even a little annoying. Like I have just woken up.
I could go on and on about the yellow in this. But, alas! Lets move on to the folds. The folds of the bed.
I admit that I made the folds as a challenge. A plain bed would’ve been quite easy, but more ‘impressionistic’. But I am happy with these folds; reflecting the moment- the first light.
The Abstraction- This is the power of parallel lines ( beneath the bed), Incomplete- Rapidly Changing. Time is creating the next scene. Hence, I could not use the whole paper.

This concludes my basic interpretation of my artwork. I urge the viewer and the art enthusiast to not be limited my words- Feel free to interpret it as you like.”