“The best new TRANCE and PROGRESSIVE in a 2 hour Mix — Th-This is a state of Trance-Trance-Trance”
These words kick-off the most famous music show world-wide, a session from Armin-Van-Buuren’s ‘A State of Trance’.
Trance genre and I go way back. Been in love with this genre of music ever since I listened to ‘In and Out of Love’, before that I listened mostly to Techno and other Electronica sub-genres.
To the newbies out there, trance and progressive music is very euphoric, melodic and even hypnotic! It induces strong emotion (as classical music did, maybe due to its tempo between 125 and 160 bpm). Hence, in an art-block, am I? Let’s listen to some Trance (and maybe Bach’s Preludium in C Major too).
Pencils: 2H 1B 4B 6B 9B EE (super dark) charcoals
I find much of the art in these side-effects of creating art in itself. I would not use the eraser when most necessary. The rather polluted negative-space has created an aura of dream-like qualities- has as it not?
Its about time since I tried Digital once again. My graphics tablet is failing (Can’t leave Windows 8) , but I managed to create this, coping with the tablet losing pressure sensitivity every 10 minutes. Anywho, I shall buy a new one pretty soon. How are your thoughts about the Intuos Manga (Medium) or Intuos Pro (Medium)?
~The Wave Symbol~
The wave stands still, motionless.
~ Look outside people! The galactic core lies in the Sagittarius! ~
In my endless experimentation of Art, I am unable to come to a stop.
To become stagnant; embrace only a facet of this ‘Art’?
From Impressionism to Expressionism. Realism to Abstract – all while torn between traditional Art and the Digital side.
so, what have I – what have I come across now? I have gone VECTOR!
Starting with a Vector portrait of a friend of mine – Fahad.
^ This guy, had been urging me to make a vector portrait for quite some time of him. I had remained uninterested – not fascinated by the Vector side. i had my reasons, for I do not feel the sense of belonging to a digital work as one would have with a hand painted traditional one.
– A single, original canvas which had been witness to the artist’s brush and fingertips does not exist – just a sequence of binary code – a series of pulses. Nothing more.
But we do have to be practical, experimentation has it’s fun and digital art does sell. The ‘public’ shows greater interest in their portrait and that- that ‘FanArt’ rather than an original artwork! They need artwork that can be replicated, printed on shirts, cropped to a thumbnail to be set as a ‘profile image’ –
“Whew” finally done!
Now I can move over to the other portrait I have an idea about. I can’t really for sure say how much time this one took, but seems like a total of about 2 and a half hours – give or take some minutes.
This is what it looks like after going through all of it many times, correcting the tones here and there- and using the darker charcoals to have a greater variety of tones in it. Giving it an overall realism.
P.S. Made on my new sketchbook~~
It’s amusing how little things inspire us, and some inspire as such to adopt a new style of art; Do something out of the ordinary – consume ‘life’ in an adventure. To explore new possibilities and to adopt and evolve oneself.
These past few weeks, I have indeed watched a decent share of ‘Great’ films that I consider to be masterpieces of the ‘Cinema’.
Now, here I have painted a portrait of Albert Einstein; A great- great mind of the early 20th Century who poured on our minds the knowledge; to be as technologically advanced as we (the World ) is now. I imagined as, what would it be like to study under his teachings. To be there, one of the students.
// Realism – ( Hyper-realism ? )
Portraiture – this is what urges my finger-tips these days. To grab a brush ( a real brush or a digital one ) and start off- moving closer and closer to achieving ‘the’ Hyper-real. Works so detailed and accurately toned that the result seems near photographic. Though, without the inspiration that those old films provided me with- this would not have been possible. As, the photographs of Einstein are just a few- and for my work I could not use multiple references – as the behaviour of light in nature is complex and imagination fails then- leading the artist in-vain with impractical results. So, a printed image in my hand- I referred to that continually in process of this painting. It is painted just as one would paint a ‘Oil on Canvas’ painting. Only a single layer is used for the subject ( Background layers are separate). Firstly, the rough tonal variations were painted, then the rough micro pores- then the detailed ones; with the lighting continually corrected along the way. The most minute of the details were added without reference, those were by my previous experience with realistic art. Also, hues were altered to end-up with a greyish-brown hue, to promote the feel of ‘importance’. However, nothing was referred for the coat, practising on the canvas, I ended up with a material that mimicked leather- so I went with that.
That is all//