Gone Vector!

And now, I have gone vector.

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In my endless experimentation of Art, I am unable to come to a stop.

To become stagnant; embrace only a facet of this ‘Art’?

From Impressionism to Expressionism. Realism to Abstract – all while torn between traditional Art and the Digital side.
so, what have I – what have I come across now?  I have gone VECTOR!

Starting with a Vector portrait of a friend of mine – Fahad.
^ This guy, had been urging me to make a vector portrait for quite some time of him. I had remained uninterested – not fascinated by the Vector side.  i had my reasons, for I do not feel the sense of belonging to a digital work as one would have with a hand painted traditional one.
– A single, original canvas which had been witness to the artist’s brush and fingertips does not exist – just a sequence of binary code – a series of pulses. Nothing more.

But we do have to be practical, experimentation has it’s fun and digital art does sell.  The ‘public’ shows greater interest in their portrait and that- that ‘FanArt’ rather than an original artwork! They need artwork that can be replicated, printed on shirts, cropped to a thumbnail to be set as a ‘profile image’ –

And hence, the Vector Portrait of Fahad Goraya.
Image
https://www.facebook.com/pages/The-Art-of-Ibrar-Yunus/168155153339571]

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Mandela

Mandela

© Ibrar Yunus

“Whew” finally done!
Now I can move over to the other portrait I have an idea about. I can’t really for sure say how much time this one took, but seems like a total of about 2 and a half hours – give or take some minutes.
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This is what it looks like after going through all of it many times, correcting the tones here and there- and using the darker charcoals to have a greater variety of tones in it. Giving it an overall realism.
P.S. Made on my new sketchbook~~

🙂

Some promotion for my Facebook Page would be great:
https://www.facebook.com/pages/The-Art-of-Ibrar-Yunus/168155153339571

“Albert”

“Albert”
A portrait of Albert Einstein

It’s amusing how little things inspire us, and some inspire as such to adopt a new style of art; Do something out of the ordinary – consume ‘life’ in an adventure. To explore new possibilities and to adopt and evolve oneself.
These past few weeks, I have indeed watched a decent share of ‘Great’ films that I consider to be masterpieces of the ‘Cinema’.
Now, here I have painted a portrait of Albert Einstein; A great- great mind of the early 20th Century who poured on our minds the knowledge; to be as technologically advanced as we (the World ) is now. I imagined as, what would it be like to study under his teachings. To be there, one of the students.
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// Realism – ( Hyper-realism ? )
//Art Process
Portraiture – this is what urges my finger-tips these days. To grab a brush ( a real brush or a digital one ) and start off- moving closer and closer to achieving ‘the’ Hyper-real. Works so detailed and accurately toned that the result seems near photographic. Though, without the inspiration that those old films provided me with- this would not have been possible. As, the photographs of Einstein are just a few- and for my work I could not use multiple references – as the behaviour of light in nature is complex and imagination fails then- leading the artist in-vain with impractical results. So, a printed image in my hand- I referred to that continually in process of this painting. It is painted just as one would paint a ‘Oil on Canvas’ painting. Only a single layer is used for the subject ( Background layers are separate). Firstly, the rough tonal variations were painted, then the rough micro pores- then the detailed ones; with the lighting continually corrected along the way. The most minute of the details were added without reference, those were by my previous experience with realistic art. Also, hues were altered to end-up with a greyish-brown hue, to promote the feel of ‘importance’. However, nothing was referred for the coat, practising on the canvas, I ended up with a material that mimicked leather- so I went with that.
That is all//

Portraiture – The Practice work

When I was younger ( 15 -16?), and didn’t really take art and the ‘enthusiasm’ that came with it seriously; I stayed away from making portraits. It was a time when It was hard for me to manage the complexities of creating hands or toes, still I could make faces and correct body proportions.But was far off for creating a realistic skin tone.

And coming to the now, I see that creating a skin tone that resonates with life and ‘energy’ might be one of the many aspects of art that differentiate artists. Quite, yesterday was it when I stumbled upon a very very inspiring artwork by an unmentioned artist in that post. Here: Image
In this artwork, I see how the artist has applied his/her mastery of tonal variations. It might be devoid of ‘skin tones’, but I see that one’s experimentation of painting a rather metallic tone does indeed work very well.
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Well, here a complete painting ( be uploaded later), this is how it  formed:
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The trace and the ‘base’ of colors, notice how bright and plastic-like it feels in this?
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cats3few

As I do love a wee bit of abstract qualities in all of my artworks, here the ends of the hair sharply blend with the background ( or negative-space). The skin is better now, finally adjusting the brightness and saturation to a value that agrees with the realistic qualities to be added in later stages  and also the unsaturated-ness in this seems to promote importance of personality ( the poker-face expression matters too ).
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And now finally the addition ( or illusion) of micro-pores ( which adds the semi-transparent qualities of skin), giving it a more ‘oily’ than dry feel. ( I unknowingly stumbled on this very important bit of information, if it was not for a tutorial on the internet, It might have had taken me much time to figure this out)